Program Particulars
(1:23) First Woman Bishop of African Methodist Episcopal Church
Vashti McKenzie was elected as the first female bishop in 2000 — more than two centuries after the African Methodist Episcopal Church's establishment. Laurie Goodstein of The New York Times chronicled her path, often drawing comparisons to campaigning for political office:
The election was hotly contested and highly political, with candidates making their way through the convention center shaking hands and waving, like members of Congress at a county fair. Supporters dressed in matching T-shirts and caps paraded through the convention center chanting and singing and carrying signs with pictures of their favorites. Candidates hand out pencils and water bottles, hair gel and even tubes of toothpaste imprinted with their names. Ms. McKenzie's campaign set up a television screen just inside the doors of the convention center to play over and over a video promoting her accomplishments.
(17:54–18:41) Music Element
"Doin' (Y)Our Thing"
from
From the Plantation to the Penitentiary,
performed by
Wynton Marsalis
McKenzie at the State of the Black Union Conference
In Atlanta, Georgia in 2005, Vashti McKenzie met with other African-American leaders to discuss a broad range of social issues in the United States. Here, she questions the motivation of the established power structure and calls into question who benefits from predatory lending and sub-prime mortgages, American exceptionalism, and urban poverty.
(20:09) The Prophetic Tradition
In the Abrahamic faiths — Christianity, Judaism, Islam the term "prophet" has a meaning rooted in the Hebrew Bible. There, stories feature a series of enigmatic figures such as Elijah, Jeremiah, and others who were representatives of God delivering stark warnings to the societies around them. A prophet was a kind of spiritual whistle blower whose aim was the realignment of society toward ethical (or often monotheistic) goals.
Modern civil rights activists such as Martin Luther King Jr. and Abraham Joshua Heschel have carried on the tradition of prophetic preaching. Said Heschel, "When I see an act of evil, I am not accommodated — I don't accommodate myself to the violence that goes on everywhere. I'm still surprised. That's why I'm against it; why I can fight against it. We must learn how to be surprised, not to adjust ourselves. I am the most maladjusted person in society."
(23:25–25:55) Music Element
"Sunflowers"
from
Popular Songs: The Best of Wynton Marsalis,
performed by
Wynton Marsalis
(23:34) Sermon at Trinity United Church of Christ
On Easter Sunday in 2008, Bishop McKenzie delivered at the sermon "Don't Let Your Wounds Get in the Way" at Trinity United Church of Christ in Chicago, the congregation formerly attended by Barack Obama and pastored by Reverend Jeremiah Wright. Trinity United Church is now pastored by Reverend Otis Moss III. In this sermon, McKenzie uses the metaphor of Jesus' resurrection as a model for overcoming difficulties faced by individuals and the community as a whole.
Formulating a Black Theology of Liberation
In January 2008, theologian James Cone explains how he reads the Bible, how he fused the ideas of Martin Luther King Jr. and Malcolm X and incorporated this into his personal black theology, and why the lynching tree is a powerful modern metaphor for understanding Christian doctrine. A high-quality version of the video can be found on the Trinity Institute's Web site.
(38:26) James Cone and Black Theology
The more formal beginnings of black theology can be traced to a group of African-American pastors who took out a full-page ad in The New York Times (July 31, 1966) advocating for a theological interpretation of black power. One of the most notable architects of black theology is James Cone, a professor of Systematic Theology at Union Theological Seminary in New York City. Cone was responsible for identifying the sources of black theology — the historical and religious experience of African Americans, the revelation of God at work in the black experience, the witness of Scripture, the truth in Jesus Christ, and church tradition. "Its chief task," Cone wrote in his autobiography My Soul Looks Back, "is to help the church to be faithful to the task of preaching and living the liberating gospel of Jesus Christ in the world today."
Dwight Hopkins of the University of Chicago Divinity School defines "Black theology" as the way in which "God, or the spirit of freedom, works with the oppressed black community for their full humanity." And, in his book God of the Oppressed, James Cone writes:
Black people did not devise various philosophical arguments for God's existence, because the God of black experience was not a metaphysical idea. He was the God of history, the Liberator of the oppressed from bondage. Jesus was not an abstract Word of God, but God's Word made flesh who came to set the prisoner free. […] While white preachers and theologians often defined Jesus Christ as a spiritual Savior, the deliverer of people from sin and guilt, black preachers were unquestionably historical. They viewed God as the Liberator in history. That was why the black Church was involved in the abolitionist movement in the nineteenth century and the civil rights movement in the twentieth. Black preachers reasoned that if God delivered Israel from Pharaoh's army and Daniel from the lion's den, then he will deliver black people from American slavery and oppression. So the content of their thought was liberation and they communicated that message through preaching, singing, and praying, telling their story of how "we shall overcome."
(40:09–41:07) Music Element
"Inner City Blues (Make Me Wanna Holler)"
from
This is the Dirty Dozen Brass Band Collection,
performed by
The Dirty Dozen Brass Band
(48:39–52:39) Music Element
"Don't Let Nobody Turn You Around"
from
Can You Feel It?,
performed by
The Campbell Brothers




