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"The Discourse of the Veil"
from Women and Gender in Islam: Historical Roots of a Modern Debate
by Leila Ahmed

1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, Page 21, 22, 23, 24, Display All

Leila Ahmed
differently received by the popular classes. Even rumors of the move provoked unrest; demonstrations broke out but were ruthlessly crushed. For most Iranians, women as well as men, the veil was not, as a historian of Iranian women has observed, a "symbol of backwardness," which members of the upper classes maintained it was, but "a sign of propriety and a means of protection against the menacing eyes of male strangers." The police had instructions to deal harshly with any woman wearing anything other than a European-style hat or no headgear at all, and many women chose to stay at home rather than venture outdoors and risk having their veils pulled off by the police.

In their stinging contempt for the veil and the savagery with which they attack it, these two members of the ruling class, like Amin, reveal their true motivation: they are men of the classes assimilating to European ways and smarting under the humiliation of being described as uncivilized because "their" women are veiled, and they are determined to eradicate the practice. That is to say, theirs are the words and acts of men exposed to the Western discourse who have accepted its representation of their culture, the inferiority of its practices, and the meaning of the veil. Why Muslim men should be making such statements and enacting such bans is only intelligible against the background of the global dominance of the Western world and the authority of its discourses, and also against the background of the ambiguous position of men and women of the upper classes, members of Muslim societies whose economic interests and cultural aspirations bound them to the colonizing West and who saw their own society partly through Western eyes.

The origins and history, just described, of the idea of the veil as it informs Western colonial discourse and twentieth-century Arabic debate have a number of implications. First, it is evident that the connection between the issues of culture and women, and more precisely between the cultures of Other men and the oppression of women, was created by Western discourse. The idea (which still often informs discussions about women in Arab and Muslim cultures and other non-Western world cultures) that improving the status of women entails abandoning native customs was the product of a particular historical moment and was constructed by an androcentric colonial establishment committed to male dominance in the service of particular political ends. Its absurdity and essential falseness become particularly apparent (at least from a feminist point of view) when one bears in mind that those who first advocated it believed that Victorian